Publications
Computer Software as a Creative Medium, The Papercuts Anthology, Volume 1, edited by Katie Eelman and Kate Layte, Quill, an Imprint of Inkshares, Inc., 2016
+/-, Catalogue essay, Joseloff/Silpe Galleries, Hartford Art School, University of Hartford, CT. 2015
Bálint Bolygó, Catalogue essay, Boston Cyberarts Gallery and Emerson College, 2013
Drawing with Code, Works from the Anne and Michael Spalter Collection, Catalogue essay, deCordova Sculpture Park and Museum, 2011
Camille Utterback and Painting, New American Paintings, Volume 86, February/March 2010
Public, Aspect Magazine, curator commentary on Brian Knep, Volume 13, DVD, 2009
Rona Pondick: The Metamorphosis of an Object, Essay: Rona Pondick: The Art of Using Technology, Worcester Art Museum, 2009
Act React: Interactive Installation Art, Catalogue with DVD, essay and DVD commentary, Milwaukee Art Museum, 2008
Graduate New Media Programs, Art and Technology Columnist for Art New England, December 2007 / January 2008
On Location, Aspect Magazine, curator commentary on Shelley Eshkar and Paul Kaiser, Volume 6, DVD, 2005
Quotes from ID_TRANSiT, Interview #02, Angelika Middendorf interviews George Fifield appear in Mondo Veneziano, High Noon in the Sinking City, a film by Antoine Prum, HD Video/35mm, made for the 2005 Venice Biennale
Text & Language, Aspect Magazine, curator commentary on Camille Utterback and Romy Achituv, Volume 4, DVD, 2004
Michael Rees: A Diagram of Forces, Sculpture Magazine, Vol. 23, No. 7, September 2004
Participatory Democracy: Step Right up and Vote, Catalog Essay, Art Interactive, May 2004
The Artist As Content, Aspect Magazine, curator commentary on Denise Marika, Volume 3, DVD, May 2004
ID_TRANSiT, Interview #02, Angelika Middendorf interviews George Fifield, Men in Black, Handbook of Curatorial Practice, edited by Christoph Tannert and Ute Tischler, Künstlerhaus Bethanien, 2004
Artists Of The West Coast, Aspect Magazine, curator commentary on Scott Snibbe, Volume 2, DVD, Oct. 2003
Rona Pondick’s Monsters of Fear and Desire, Sculpture Magazine, Vol. 22 No. 7, September 2003
Self-Evidence: Identity in Contemporary Art, co-written with Rachel Rosenfield Lafo and Francine Weiss, Catalog Essay, DeCordova Museum and Sculpture Park, January 2003
Sculpting with Light: Denise Marika, Catalog Essay Pomoma College Museum of Art, 2003
Art and Technology Columnist for Art New England: Harriet Casden-Silver, February/March 2003; Art Interactive, April/May 2003; Brunelleschi’s Dome, August/September, 2003
The Creative Economy Initiative, Market Talk, Art New England, October/November, 2002
Art and Technology Columnist for Art New England: Artists In Residence programs, April/May, 2002; The Digital Future of Art’s Past, June/July, 2002; Web Racket at the DeCordova, August/September, 2002; New Media at the Rose Art Museum, October/November, 2002;
Winter of My House’s Discontent, The Independent Film and Video Monthly November 2001, Vol. 24 No. 9, 2001
Rona Pondick, Bomb Magazine, Fall, No 77, 2001
Headshrinker: Rona Pondick, Artbyte Magazine, February 2001
Art and Technology Columnist for Art New England: New Technologies at the Boston Cyberarts Festival, April/May, 2001; eNarratives, June/July, 2001; Dennis Miller: Composing Images, August/September, 2001; The Movie Theater Within the Museum Gallery, October/November, 2001; The Search for a Personal Vision: Fred Barzyk, December/January, 2001;
From the Mind Into Matter, Communications Arts, March/April 2000
Paik-Abe Synthesizer, essay presented at the “Not Still Art” Video Festival At The Micro Museum Brooklyn, NY and published on the Early Video Project Web Site (http://208.55.137.252/) 2000
Art and Technology Columnist for Art New England; Duchamp and Science, February/March, 2000; Discourse Dot Org, April/May, 2000; The Long Now Clock, June/July, 2000; Virtual Public Art, August/September, 2000; SIGGRAPH 2000, October/November, 2000; Rona Pondick, December/January, 2000
Art of the Future/ The Future of Art, Art New England, December 1999/January 2000;
Wilkommen to Deutschland, Independent Film and Video Monthly, March 1999
ZKM, Artbyte, Dec. – Jan. 1998- 1999
Art and Technology Columnist for Art New England; The Strange Improbable World of Virtual Sculpture, February/March, 1999; Ingo Günther: Refugee Republic, June/July, 1999; Frozen Ballets: The Photographs of “Doc” Edgerton, August/September, 1999; Museum Interactive Kiosks, October/November, 1999; Preserving the Legacy of Video’s Early Days, December 1999/January 2000
Printing in 3-D: Digital Sculpture, Sculpture Magazine May/June 1998
3-D Printing, Artbyte, April/May 1998
It’s Alive, Art New England, Vol. 19 No. 3, April/May 1998
Art and Technology Columnist for Art New England; Pilgrimage to Bremen, December 1998/January 1999; Pioneering Holography Harriet Casdin-Silver, October/November 1998; Computational Artists, August/September 1998; Feeling the Future In Virtual Clay, June/July 1998; Motion Capture Animation. March/April 1998; The 3-D Printer, February/March 1998
Five Paths into the Grassroots, co-written with Elizabeth Canner, The Independent Film and Video Monthly, Vol. 20 No. 8, October 1977
New England’s Mixed Signals Goes Off the Air, The Independent Film and Video Monthly, Vol. 20 No. 2, March 1997
Art and Technology Columnist for Art New England; A Festival of the Cyberarts December 1997/January 1998; The Digital Atelier at the National Museum of American Art October/November 1997; Art by Natural Selection: Galapagos by Karl Sims August/September 1997; Wonderful Machines: Arthur Ganson and Rube Goldberg June/July 1997; Sculpting with Light: Denise Marika April/May 1997; The Iris Revolution February/March 1997; Multimedia With a Difference: MIMC December/January 1997;
The Vision Of Fred Barzyk, Art New England, Vol.17 No. 6, October/November 1996
How’re We Doing? Five Players Analyze the State of the Art and How Experimental Media Is Faring Today. The Independent Film and Video Monthly, Vol. 19 No. 6, July 1996
Deep Diver in the MIT Think Tank: Glorianna Davenport Helms the Media Lab’s Interactive Cinema Group, The Independent Film and Video Monthly, Vol. 19 No. 5, June 1996
Leacock’s Life Lessons; An Interview with Ricky Leacock and Valérie Lalonde The Independent Film and Video Monthly, Vol. 19 No. 2, March 1996
Interview with Bill Viola, Art New England, Vol.17 No. 1, January/February 1996
There’s No Place Like Home: A Survey of Media Art in Video Stores The Independent Film and Video Monthly, Vol. 18 No. 5, January/February 1996,
Art and Technology Columnist for Art New England; Galleries On the Web October/November 1996; Technopoetry June/July 1996; Brain Opera March/April 1996; An Interview with Harry Uman February/March 1996; The Exquisite Corpse Is Alive and Well On the Internet December/January 1996
Art on the Net, Art New England, Vol.16 No. 3, April / May 1995
Chinese Cucumbers, The Independent Film and Video Monthly, Vol. 18 No. 3, April 1995
Video Service Bureaus of the Future, The Independent Film and Video Monthly, April 1995, Vol. 18 No. 3, April 1995
Art and Technology Columnist for Art New England; How I Wove a Web Site October/November 1995; Arron, The Art of Harold Cohen August/September 1995; How Big Do You Want It? Digital Imagery and Size June/July 1995; Multimedia April/May 1995; On the Arts Wire February/March 1995; Computing Communities December/January 1995; Introduction October/November 1994
Experimentation Without Representation, A History of Experimental Media in Boston The Independent Film and Video Monthly, Vol. 17 No. 9, November 1994
Artificial Creativity, Six Artists Who Make Art That Makes Art, Art New England, Vol. 15 No. 2, February/March 1994
Focus Video, Editor, bimonthly newsletter of the Desktop Video Group, Cambridge, MA, 1993 – 1996