Publications

Publications

Computer Software as a Creative Medium, The Papercuts Anthology, Volume 1, edited by Katie Eelman and Kate Layte, Quill, an Imprint of Inkshares, Inc., 2016

+/-, Catalogue essay, Joseloff/Silpe Galleries, Hartford Art School, University of Hartford, CT. 2015

Bálint Bolygó, Catalogue essay, Boston Cyberarts Gallery and Emerson College, 2013

Drawing with Code, Works from the Anne and Michael Spalter Collection, Catalogue essay, deCordova Sculpture Park and Museum, 2011

Camille Utterback and Painting, New American Paintings, Volume 86, February/March 2010

Public, Aspect Magazine, curator commentary on Brian Knep, Volume 13, DVD, 2009

Rona Pondick: The Metamorphosis of an Object, Essay: Rona Pondick: The Art of Using Technology, Worcester Art Museum, 2009

Act React: Interactive Installation Art, Catalogue with DVD, essay and DVD commentary, Milwaukee Art Museum, 2008

Graduate New Media Programs, Art and Technology Columnist for Art New England, December 2007 / January 2008

On Location, Aspect Magazine, curator commentary on Shelley Eshkar and Paul Kaiser, Volume 6, DVD, 2005

Quotes from ID_TRANSiT, Interview #02, Angelika Middendorf interviews George Fifield appear in Mondo Veneziano, High Noon in the Sinking City, a film by Antoine Prum, HD Video/35mm, made for the 2005 Venice Biennale

Text & Language, Aspect Magazine, curator commentary on Camille Utterback and Romy Achituv, Volume 4, DVD, 2004

Michael Rees: A Diagram of Forces, Sculpture Magazine, Vol. 23, No. 7, September 2004

Participatory Democracy: Step Right up and Vote, Catalog Essay, Art Interactive, May 2004

The Artist As Content, Aspect Magazine, curator commentary on Denise Marika, Volume 3, DVD, May 2004

ID_TRANSiT, Interview #02, Angelika Middendorf interviews George Fifield, Men in Black, Handbook of Curatorial Practice, edited by Christoph Tannert and Ute Tischler, Künstlerhaus Bethanien, 2004

Artists Of The West Coast, Aspect Magazine, curator commentary on Scott Snibbe, Volume 2, DVD, Oct. 2003

Rona Pondick’s Monsters of Fear and Desire, Sculpture Magazine, Vol. 22 No. 7, September 2003

Self-Evidence: Identity in Contemporary Art, co-written with Rachel Rosenfield Lafo and Francine Weiss, Catalog Essay, DeCordova Museum and Sculpture Park, January 2003

Sculpting with Light: Denise Marika, Catalog Essay Pomoma College Museum of Art, 2003

Art and Technology Columnist for Art New England: Harriet Casden-Silver, February/March 2003; Art Interactive, April/May 2003; Brunelleschi’s Dome, August/September, 2003

The Creative Economy Initiative, Market Talk, Art New England, October/November, 2002

Art and Technology Columnist for Art New England: Artists In Residence programs, April/May, 2002; The Digital Future of Art’s Past, June/July, 2002; Web Racket at the DeCordova, August/September, 2002; New Media at the Rose Art Museum, October/November, 2002;

Winter of My House’s Discontent, The Independent Film and Video Monthly November 2001, Vol. 24 No. 9, 2001

Rona Pondick, Bomb Magazine, Fall, No 77, 2001

Headshrinker: Rona Pondick, Artbyte Magazine, February 2001

Art and Technology Columnist for Art New England: New Technologies at the Boston Cyberarts Festival, April/May, 2001; eNarratives, June/July, 2001; Dennis Miller: Composing Images, August/September, 2001; The Movie Theater Within the Museum Gallery, October/November, 2001; The Search for a Personal Vision: Fred Barzyk, December/January, 2001;

From the Mind Into Matter, Communications Arts, March/April 2000

Paik-Abe Synthesizer, essay presented at the “Not Still Art” Video Festival At The Micro Museum Brooklyn, NY and published on the Early Video Project Web Site (http://208.55.137.252/) 2000

Art and Technology Columnist for Art New England; Duchamp and Science, February/March, 2000; Discourse Dot Org, April/May, 2000; The Long Now Clock, June/July, 2000; Virtual Public Art, August/September, 2000; SIGGRAPH 2000, October/November, 2000; Rona Pondick, December/January, 2000

Art of the Future/ The Future of Art, Art New England, December 1999/January 2000;

Wilkommen to Deutschland, Independent Film and Video Monthly, March 1999

ZKM, Artbyte, Dec. – Jan. 1998- 1999

Art and Technology Columnist for Art New England; The Strange Improbable World of Virtual Sculpture, February/March, 1999; Ingo Günther: Refugee Republic, June/July, 1999; Frozen Ballets: The Photographs of “Doc” Edgerton, August/September, 1999; Museum Interactive Kiosks, October/November, 1999; Preserving the Legacy of Video’s Early Days, December 1999/January 2000

Printing in 3-D: Digital Sculpture, Sculpture Magazine May/June 1998

3-D Printing, Artbyte, April/May 1998

It’s Alive, Art New England, Vol. 19 No. 3, April/May 1998

Art and Technology Columnist for Art New England; Pilgrimage to Bremen, December 1998/January 1999; Pioneering Holography Harriet Casdin-Silver, October/November 1998; Computational Artists, August/September 1998; Feeling the Future In Virtual Clay, June/July 1998; Motion Capture Animation. March/April 1998; The 3-D Printer, February/March 1998

Five Paths into the Grassroots, co-written with Elizabeth Canner, The Independent Film and Video Monthly, Vol. 20 No. 8, October 1977

New England’s Mixed Signals Goes Off the Air, The Independent Film and Video Monthly, Vol. 20 No. 2, March 1997

Art and Technology Columnist for Art New England; A Festival of the Cyberarts December 1997/January 1998; The Digital Atelier at the National Museum of American Art October/November 1997; Art by Natural Selection: Galapagos by Karl Sims August/September 1997; Wonderful Machines: Arthur Ganson and Rube Goldberg June/July 1997; Sculpting with Light: Denise Marika April/May 1997; The Iris Revolution February/March 1997; Multimedia With a Difference: MIMC December/January 1997;

The Vision Of Fred Barzyk, Art New England, Vol.17 No. 6, October/November 1996

How’re We Doing? Five Players Analyze the State of the Art and How Experimental Media Is Faring Today. The Independent Film and Video Monthly, Vol. 19 No. 6, July 1996

Deep Diver in the MIT Think Tank: Glorianna Davenport Helms the Media Lab’s Interactive Cinema Group, The Independent Film and Video Monthly, Vol. 19 No. 5, June 1996

Leacock’s Life Lessons; An Interview with Ricky Leacock and Valérie Lalonde The Independent Film and Video Monthly, Vol. 19 No. 2, March 1996

Interview with Bill Viola, Art New England, Vol.17 No. 1, January/February 1996

There’s No Place Like Home: A Survey of Media Art in Video Stores The Independent Film and Video Monthly, Vol. 18 No. 5, January/February 1996,

Art and Technology Columnist for Art New England; Galleries On the Web October/November 1996; Technopoetry June/July 1996; Brain Opera March/April 1996; An Interview with Harry Uman February/March 1996; The Exquisite Corpse Is Alive and Well On the Internet December/January 1996

Art on the Net, Art New England, Vol.16 No. 3, April / May 1995

Chinese Cucumbers, The Independent Film and Video Monthly, Vol. 18 No. 3, April 1995

Video Service Bureaus of the Future, The Independent Film and Video Monthly, April 1995, Vol. 18 No. 3, April 1995

Art and Technology Columnist for Art New England; How I Wove a Web Site October/November 1995; Arron, The Art of Harold Cohen August/September 1995; How Big Do You Want It? Digital Imagery and Size June/July 1995; Multimedia April/May 1995; On the Arts Wire February/March 1995; Computing Communities December/January 1995; Introduction October/November 1994

Experimentation Without Representation, A History of Experimental Media in Boston The Independent Film and Video Monthly, Vol. 17 No. 9, November 1994

Artificial Creativity, Six Artists Who Make Art That Makes Art, Art New England, Vol. 15 No. 2, February/March 1994

Focus Video, Editor, bimonthly newsletter of the Desktop Video Group, Cambridge, MA, 1993 – 1996